Wednesday, 18 October 2017

Lucifer's Marginia, recorded 1989-1993: Another Lost Progressive Classic from Japan

Will the proggy wonders never cease?

Not if I maintain my wonderful contacts and the friends who discover these past masterpieces...  (oh how I revere and respect you...  don't ever stop the flow of musical honey... )  And I thought we had plumbed the depths of Japanese music from this era!  It seems no...  Still no end in sight to the discoveries.  We are only half way around the circumference of the world here and this ship is still rocking the waves...  and I hope I die on this exploratory voyage with no harbour ever in view...

Obviously this is similar to Mr. Sirius, Providence, and all the other symphonic-styled Japanese bands, with a bit more Renaissance-style folk thrown in.  But just listen to the endlessly gorgeous digital sound achieved in the brightly coloured Endless Green:

If there is a sight for sore eyes, then this is a hear for sore ears-- at least this fan's ears.  Unfortunately I can't say the rest of the album holds up to the standards of this song, clearly the most progressive one on the CD.

Turning our attention now to a search for more information I saw from The Great Google that oddly enough the band is not on discogs yet, and rare even on rateyourmusic (something I am always quite proud to see), but from proggnosis comes this write-up:

Lucifer is most likely unknown outside Japan however they were mostly unknown inside Japan as well. [haha! --editor] The band played between 1983 to 1994 releasing 6 albums - the first 5 as Cassettes and the last one as a CD.
All the six albums were only distributed in friends though the 6th one, Marginia was released by Marquee in 1997.

From the band's web site:

LUCIFER started as an project to create original music in August 1983. Recording was the main activity instead of forming a band to play live. Over 36 persons joined the project for 10 years from various music backgrounds such as progressive rock, classic, choral music, folk and pops. Each song as an project include several members finally created 4 cassette albums and 2 CD albums, totally 6 album with 62 songs. In the latter years, the project tend to a permanent band and the 2 CDs are with the band. Also 4 live concerts and 6 small stages such as weddings were done in that years, too.
The main concept of the band was to "Be away from stereotype thinking and genre". In that sense, a song is not a song, vocal part is not a main melody even if they were sang with lyrics. In some songs, lyrics have less meanings just to put a good sound in an vocal part as instrument combinating consonant sounds and vowel sounds to create a coined word. Latter years the songs came more un-experimental but still the lyrics remain as series of keywords to enhance the image of the sound. Thus the violin usually is the main meledy singing the songs instead of the vocals. In this reason, some songs are basically instrumental with a few vocal solo part appearing like a guitar solo.

The band aimed to express the possibility and interest of music and also to tell that technique is not indispensable if you love music and want to create something. Since the project started, some members were very good with their instruments but some were not. But still they joined and create the music together. The latter years the band had the permanent members with high technique and good sense. After 10 years, LUCIFER disbanded in 19 February, 1994 to find out another way of music. The main members of the band are now creating music as a band called KHAREZ.

More information:

Reviewed by Hideki on 09 Feb 2005

Lucifer left 6 albums however almost of them are hardly to find. Their last album, Marginia, which is considered their best work is the only work easily to obtain for reasons of circulation.
In celebrattion of the wedding between band members Yamashita Chiako and Shinyashiki Noboru, Marginia was released in 1993. The band at that time consisting of 12 performers, 7 males (Kataoka Hideo,Tachibana,Ishikawa Shinichiro,Shinyashiki,Kooriyama,Nanjo,Furukawa) and 5 women (Furudate ,Ishikawa Yumi,Kataoka Itsuko,Imai ,Yamashita) but there is no single song played by all 12 persons on a track.

If you can imagine Renaissance, Mike Oldfield and Malicorne, you are choosing music that is close in many ways to Lucifer who had a musical style thaty is hardly to be found in Japan. Lucifer play progressive folk rock which is sometimes produced in Western Europe and they add a little of Japanese flavor.

I cannot say that any other bands fit with this one like two peas in a pod. You can feel some flavor of referencial groups (such as Renaissance) in Marginia, but please don't expect an intense resemblance between them. Being formed by hobby rather than as a job, Lucifer are fertile in originality. Though they elaborately produced Marginia, I sense amateurishness in some parts for example when compared to major label albums, you can detect a weakness for arrangement. This quality is in fact a strength - not a weakness and I don't mind it, I love it. If Marginia were released from major label, I don't think it would not maintain this freshness or naivety. Whereas they may gain stability on the surface and in the details - with a major label treatment they would probably lose heartwarming handmade creativity that make this album stand out.  Tracks 5, 6, 12, 13 and 14 are sung in Japanese. The remaining songs are sung in English. Although tracks 12, 13, and 14 are bonus,they are one of noticeable points in this CD.

A band worth pursuing further, given the above.
Did I say we plumbed the depths of Japanese music?  Not when there are 6 more releases from these guys to be archaeologically unearthed and brought back into the light...

Monday, 16 October 2017

Heinz Sauer Quartet's Isolation Row from 1978

Another wishlist rarity bites the dust...  although not all that expensive, unlike for example German Nimbus.

Those were the days when they cared about cover art, what is usually treated as a joke or afterthought today.  The photo is not so much to speak of but really drags my eyes back over and again due to its unusual but pleasantly mysterious composition. Information on this album which is your basic avant-garde acoustic/slightly electrified jazz-fusion quartet jazz along the lines of Herbert Joos (but not as good, mind you) or his band Part of Art that I loved so much, is in the database here.

The quartet comprises:

Bob Degen: piano
Joe Nay: drums
Adelhard Roidinger: bass
Heinz Sauer: tenor sax

Remember Roidinger? He was in Austria Drei here before and the ECM Schattseite, but clearly his most successful achievement is the computer jazz project (posted in the former's comments section).

Here's a track with the highly ECMish title called "Phrenie's Window Dance:"

I suppose the next album, Metal Blossoms, by Sauer from 1984 looks interesting, anyone know anything?

Saturday, 14 October 2017

Here it is: Peabody College Part Two, 1970-- the "Waxidermy Record"

Peabody College and Vanderbilt University – The Contemporary College Wind Ensemble
Added November 2, 2008 by cracker.

This was one of the first school band records I ever bought. I’d heard *of* Vanderbilt University, but never realized it was in Nashville. Hmm, Nashville… strange then to find this tantalizing blurb on the back:

“This album is a new departure in wind ensemble programming. Leading Nashville composers and arrangers have bridged many musical styles and periods to produce a kaleidoscopic survey of the possibilities of wind instrumentation. From Carmina Burana to MacArthur Park, from conventional sounds to the complex multi-ensemble (with moog synthesizer) of Irving Kane’s Fourth Stream, this performance demonstrates the expressive possibilities inherent in the wind ensemble. The instrumentation of the group featured on this recording is that of the traditional wind, jazz and rock ensembles together with harpsichord and electronic tape.”

Tucked inside the sleeve there was a program for “CENTURIES of SOUND from BACH to ROCK” dated Tuesday, April 28, 1970, and this record contains excerpts from the night’s performances. I was kinda bummed that some of the titles listed on the program didn’t make it onto the record… namely an electronic work from Gilbert Trythall, and a BLOOD SWEAT AND TEARS cover!

Fortunately the other interesting sounding piece made it onto the record, FOURTH STREAM by Irving Kane. As it turns out, Irving Kane was a local Nashville studio musician and composer. He describes the piece in the program, “Pop music, “serious music, (quotes indicate dissatisfaction with terminology)– the dichotomy preoccupies me; how to love and do both. This piece seems to be an attempt to explicate a dilemma.”

Fourth Stream takes up most of one side of the LP, so I’ve included two 5 minute excerpts of the entire 15 minute performance. Enjoy!

Enjoy Indeed!  For today you can listen to the entire record...

I won't bother to analyze the famous Fourth Stream track, suffice it to say it's really a remarkably adept composition mixing classical and jazz, absolutely stuffed full with great ideas in both genres.

A1 Carmina Burana by Carl Orff but arranged by--?
O Fortune, Variable as the World
Fortune, Empress of the World
A2 Fourth Stream by Irving Kane
B1 Jim Webb Songs for Instruments by Jay Dawson
B2 This is All I Ask by Gordon Jenkins, arranged by Ned Battista.

Incidentally George Benson did an inimitable, unforgettably amazing version of that last song (as he did with so many others), and you can hear it here (youtube).  Pay attention to the lyrics-- the old man is leering at a young female, after playing in a park with a stranger's children, and today, of course, we get arrested if we foolishly attempt such things...
oh the innocence of bygone days! the wisdom of ours!

It ends:

But let the music play, for as long as there's a song to sing, 
I will stay younger than spring...

And that just about says it all for us here doesn't it?

Again form the back blurb:

“Pop music, 'serious music,' (quotes indicate dissatisfaction with terminology)– the dichotomy preoccupies me; how to love and do both. This piece seems to be an attempt to explicate a dilemma.”

How to love and do both...

Wednesday, 11 October 2017

David Tate's lovely Love Will Have Its Way from 1981

Wow! look at those great pants on the back!!  Let's hope they never return to the fashion world... and hopefully neither does the gay pose...

Always unusual to find a record not even entered into discogs yet.  In fact, a google search only turns up the popsike entry for a shockingly low-priced LP of 27 USD.  There, the (promotional) note says the following:

Private press from 1981 on Lion Records out of Santa Barbara. Gorgeous, dreamy production with some subtle, Xian-themed lyrics. Certainly a candidate for the "Wall of Soft". The epic 14 minute "Lion" is well worth sitting through... etc.

For sure the leonine track is the best one here, with the remainder actually falling a little short of our very high standards in these pages.  It reminds me of such acoustic ssw stuff with value-added strings as Roberto Picchi, Robert Genco, the recent Ullu my friend discovered to my delight and hopefully others, Olivier Bloch-Laine, the wonderful first LP of Colin Blunstone, etc., etc.

And note the 1980s smoothness to it all.

Monday, 9 October 2017

Rhythmus Arp Ensemble, from 1983 (composed in 1975-6)

The first track gives you a nice taste of this undeservedly unknown gem:

Check out the terrifyingly chromatic dissonant atmosphere we get here, so much more adventurous than typical minimal music which is sometimes an ejecta of notes in the key of C (hey composer don't bother using up too much music notation paper here, you're just re-using the same 5 stupid notes bro), the most ludicrous key to compose in, equally accessible in fact to my 8 year old son in his pianistic explorations.  Note how later in the piece the percussive pounding leads to sustained operatically sung notes without leaving the minor seconds behind, and therefore interest, thankfully.  In fact the inappropriateness of the notes she is singing on top of what sounds to me like an E minor chord is remarkable. But it works, as usual when we are dealing with genius-level composition.  Even as classical music this achieves a very high satisfaction level for me because of the addition of the electric keyboard which provides that fireside-like warmth always lacking in the genre.

Because of the name one might conclude that there are Arps as artists here.  You can see on discogs the information relating to this.  In fact there are two: Professor Jochen Arp plays saxes, flute and clarinet normally, on this record only credited with the latter 2 of 3.  On the other hand, compositions and keyboards both are handled by presumed younger brother (born 1950) Klaus Arp, who was also conductor and professor.  What a shame they didn't make more records as their dynamic here is just exceptional.  It's obvious from the first listen (and to the last one too) that we are dealing with a Terry Riley influence hybridized with more electric keyboard fusion like recent Dane Finn Savery.  Or, taking away the guitar and more fusionary outpourings, you could say this sounds like Soft Machine 3's Out-Bloody-Rageous by Ratledge, of course, while strolling down Terry Riley Avenue.  With the addition of chamber instrumentation.  And let's not forget the wiener schniztel.  And potato salad, luckily this time with mayo.

Notice that the compositions are from the period 1975-1976, which explains a lot.  How I wish they had made more, these 2 Arps...  Anyways, it's fantastic music, and there's not much more to add to that.

Sunday, 8 October 2017

Lux Orchester also Germany 1984

Too bad these guys only made one record.

It's from 1984 Germany, so for that nation, we can still expect some progressive sounds as we have shown time and again in these pages.  What this is though is a mix of fusion and big band, including some complex articulate and intellectual jazz passages, like the famous Herbert Joos from before, but with the big band arrangements, like Noctett.  Less of the fusion importation than Klaus Lenz.   Anyways you get the idea.  The smoothness of the biggy banding is apparent on the best track which is called Arie Semim:

Love how in the intro the cello, played bowed, introduces a counterpoint melody after the trumpet ditty as the band escalates an ascending chord progression to kick start the tune, as if it's being charged up to rev on out down the autobahn of musical dreams.  Brilliance.

Thursday, 5 October 2017

More (a lot more) from Andrei Eshpai

Information here.  This is 3 CDs of his oeuvre, with all the old songs we've heard innumerable times before, like the Prelude and Don't Remember.

It was a bit of a surprise I guess to find out that Russia under Putin would still use tapes in hotel rooms of prostitutes to compromise important men (although apparently Russian hookers are the 'best in the world').  (What about impt women, like Merkel? Presumably untemptable?)  It just seems like such a passe, cold war tactic, I mean, even in 1994 Marion Barry was reelected after a crack-hooker tape, and after spending time in jail (23 years ago already!).

[Btw for those curious (like me yesterday) about the golden showers appellation of that dossier-- I mean whether or not it really involves that well-known perversion--  I was reading that one of the hookers pees on Obama's bed, and possibly there is nothing more to it than that (involving Trump).  Or hopefully nothing more, I should say.  Good title though, since so weird/insulting.  Reminder to myself: watch From Russia with Love again.  My favourite when I was a kid.]

My question is, has Putin never heard of Toronto mayor Rob Ford?  He survived a far worse scandal-- I doubt the Trump tape could be as bad.

In any case the parallels between the two men and their careers are eerie, and educational, not necessarily just because of their similar personalities but because of the way in which they were popularized and unexpectedly elected by a minority of people, in reality the same minority: non-college-educated middle-aged white males, who mostly having grown up in a milieu in which snarky rebellion is cool, loved the uncouth and unintellectual middle finger attitude of a guy like them.  So my prediction is that Trump will follow along the same lines as Rob Ford.  We can learn from the latter to see how the former's career will play out.

Even early into Rob's mayoralty, after agreeing with most of his crazy political antics (partly due to his bullying) the city council decided he was too unhinged to follow and began to shut down his powers by siding against him.  We can very confidently predict the same will happen to Trump.  Towards the end of it, they actually took away all his powers to render him a figurehead to minimize the damage.  (Except for a couple of sycophant councillors-- and this is so predictable-- who stuck by him as if they were desperate every day to get their oral cavity on to his testicles.)

Half way through though that notorious crack tape surfaced, and his supporters refused to believe it existed, or if it did, that it really showed crack-smoking, or if it did show crack, that it didn't mean he was a bad man.  (Showing you the intellectual faculties of his supporters.)  But the important thing for us is that it didn't damage his reputation overall, among the majority.  So my guess is that there are tapes of Trump too, which might eventually surface, most likely because they are being used as blackmail by the Russians and will therefore have to be released because Trump refuses to (or is unable to) for ex., lift those financial sanctions and to demonstrate vigorously (presumably to others) that their threats are not idle.

But come on, maybe the Russians don't, but we in the West live in a completely different world now where such a thing might well be laughed at-- look at the earlier Bush tapes.  Maybe Donald is personally afraid of being humiliated, but he can rest easy there.  For sure Trump's supporters will defend him more vigorously than ever, like Ford's did by saying look what a regular guy he is...  yeah, like we all smoke crack with a bunch of black dealers and down a bottle of vodka every sunday afternoon...  sure...  My one and only political contribution ever I like to say was to donate 100 dollars to the gawker campaign to buy the Rob Ford crack tape back when news of it first surfaced...  Today you can watch it for yourself on youtube, it's interesting in a very very depressing way, mainly to compare with your mental image of what it might have looked like.  Those who questioned whether he was really smoking crack will certainly shut up: there's absolutely no doubt about it.  Watching it today I feel again that profound sadness that makes me stop halfway through, I can't see it through to the end, despite having once paid for the right to see it...

Hopefully everyone knows what happened to Rob in the end: before even his 4 years ended he was diagnosed with a highly dangerous and rare cancer called liposarcoma which was treated but eventually killed him within 2 years at the age of 47, but young death is a common end for drug addict-alcoholics.  Today his hardcore supporters are willing to back his brother for mayor of Toronto, having never forgotten the wonderful late hero they loved so profoundly.  But the rest have moved on, and in a sense, become immunized against a repeat of this particular virulent infection.  At least locally.

So what do we predict for Trump?
--There are tapes, they will be released eventually (it took 3 years for Rob Ford) but they won't damage his reputation.
--His supporters will back him through thick and thin as if this was a crazy cult, which it is, and he is their saviour.
--The rest of government will try frantically to limit his powers to restrain the damage he can cause (e.g. start a nuclear war).
--His agenda and plans and all his energy in fact will be constantly tied up in fighting with other politicians, mostly because he doesn't understand how to work with other human beings.
--Purely speculative: some medical condition will stop him in his tracks, or at least, give him a face-saving way to resign with pride and dignity and lead to the majority suddenly switching from attack to sympathy....
--His family will try to continue the dynasty (either Ivanka or Jared, obviously, though I could see a huge internal power struggle there between Donald Junior and Jared, perhaps settled in favour of the ridiculous cosmetic surgery-addicted barbie girl?)  Imagine for a second Ivanka as presidential candidate.  For example running against Hillary.  Is this a joke??? 
--The next president will be a middle of the road, highly generic, sensible and boring, pragmatic leader who will promise never to create any drama...  and the American people, like Toronto, will hopefully be immunized against this kind of nasty craziness...

If we look at the bigger picture I think that a great deal of compassion is due here, because the good-hearted and almost naive nature of Americans has made them ripe for a demagogue-- mostly due to the newness, unexpectedness of the situation, the innocence of the people, and the beauty of the promises... And it was easy to be taken advantage of by Putin for the same reasons, to be honest, who would have expected such cold war tactics the world had left behind 30 years ago?  an entire generation has grown up susceptible, like people never immunized against measles who can now catch it due to immune naivete.  But this, after a slight fever, will give them antibodies so it doesn't happen again, if not in the frontal cortices of people, at least, institutionally (e.g. protecting later elections against interference).  Personally, I have faith in the American people.  I love them, sorry, I mean, all y'all, and I love the great US of A.  God bless--....

Obviously, since CD, link will be taken down soon.